Hypertext semiotics in the commercialized Internet
- Art: Dissertation / Doktorarbeit
- Autor: Moritz Neumüller
- Abgabedatum: November 2001
- Umfang: 232 Seiten
- Dateigröße: 4,8 MB
- Note: 1,0
- Institution / Hochschule: Wirtschaftsuniversität Wien Österreich
- ISBN (eBook): 978-3-8324-6687-9
-
ISBN (Paperback) :
978-3-8324-6687-9 P - ISBN (CD) :978-3-8324-6687-9 CD
- Sprache: Englisch
- Prämierung:
- Arbeit zitieren: Neumüller, Moritz November 2001: Hypertext semiotics in the commercialized Internet, Hamburg: Diplomica Verlag
- Schlagworte: Semiotik, Zeichentheorie, Navigation, E-Commerce, World Wide Web
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Dissertation / Doktorarbeit von Moritz Neumüller
Abstract:
Building on approaches that have succeeded in applying semiotic principles and methodology to computer science, such as computer semiotics, computational semiotics, and semiotic interface engineering, this dissertation establishes a systematic account for those researchers who are ready to look at hypertext from a semiotic point of view. Rather than a new hypertext model, this work presents the prolegomena of a theory of hypertext semiotics, interlacing the existing models with the findings of semiotic research, on all levels of the textual, aural, visual, tactile and olfactory channels. A short history of hypertext, from its prehistory to today's state of the art systems and the current developments in the commercialized World Wide Web creates the context for this approach which should be seen as a fortification of the connection between the media semiotic approach and computer semiotics. While computer semioticians claim that the computer is a semiotic machine and Artificial Intelligence scientists underline the importance of semiotics for the construction of the next hypertext generation, this paper makes use of a much broader methodological basis. These findings are placed in the context of the commercialization of the Internet. Besides identifying the main challenges for eCommerce from the viewpoint of hypertext semiotics, the author concentrates on information goods and the current limitations for a new economy, such as restrictive intellectual property and copyright laws. A semiotic analysis of iMarketing techniques and the Toywar complete the dissertation.
Zusammenfassung:
Diese Dissertation legt einen systematischen Ansatz für all jene Forscher dar, die bereit sind, Hypertext aus einer semiotischen Perspektive zu betrachten. Durch die Verknüpfung existierender Hypertext-Modelle mit den Resultaten aus der Semiotik auf allen Sinnesebenen der textuellen, auditiven, visuellen, taktilen und geruchlichen Wahrnehmung skizziert der Autor Prolegomena einer Hypertext-Semiotik-Theorie, anstatt ein völlig neues Hypertext-Modell zu präsentieren. Eine Einführung in die Geschichte der Hypertexte, von ihrer Vorgeschichte bis zum heutigen Entwicklungsstand und den gegenwärtigen Entwicklungen im kommerzialisierten World Wide Web bilden den Rahmen für diesen Ansatz, welcher als Fundierung des Brückenschlages zwischen Mediensemiotik und Computer-Semiotik angesehen werden darf. Während Computer-Semiotiker wissen, dass der Computer eine semiotische Maschine ist und Experten der künstlichen Intelligenz-Forschung die Rolle der Semiotik in der Entwicklung der nächsten Hypertext-Generation betonen, bedient sich diese Arbeit einer breiteren methodologischen Basis. Die Ergebnisse werden im Kontext der Kommerzialisierung des Internet betrachtet. Neben der Identifizierung der Hauptprobleme des eCommerce aus der Perspektive der Hypertext Semiotik, widmet sich der Autor den Informationsgütern und den derzeitigen Hindernissen für die New Economy, wie etwa der restriktiven Gesetzeslage in Sachen Copyright und Intellectual Property. Eine semiotische Analyse der iMarketing Techniken sowie Exkurse über den Browser Krieg und den Toywar runden die Dissertation ab.
Table of Contents:
| 1. | Introduction | 14 |
| 2. | The Semiotic Approach | 19 |
| 2.1 | Introduction to Classic Semiotics | 19 |
| 2.2 | From Symbolic Forms to (Post-)Structuralist Semiotics | 23 |
| 2.3 | Definitions and Limitations of Semiotics | 28 |
| 2.4 | Sign | 30 |
| 2.5 | Semiosis | 37 |
| 2.6 | The Code | 38 |
| 2.7 | Media Semiotics | 40 |
| 2.8 | Textuality | 53 |
| 2.9 | Computer Semiotics | 54 |
| 3. | Hypertext Theory | 59 |
| 3.1 | History of Hypertext | 62 |
| 3.1.1 | Prehistory | 62 |
| 3.1.2 | Memex | 64 |
| 3.1.3 | Xanadu | 65 |
| 3.1.4 | Augment/NLS | 66 |
| 3.1.5 | KMS | 67 |
| 3.1.6 | Intermedia | 67 |
| 3.1.7 | NoteCards | 68 |
| 3.1.8 | HyperCard | 68 |
| 3.1.9 | HyperTies | 68 |
| 3.1.10 | Guide | 68 |
| 3.1.11 | Writing Environment | 69 |
| 3.1.12 | gIBIS | 69 |
| 3.1.13 | The Aspen Movie Map | 69 |
| 3.1.14 | Storyspace | 70 |
| 3.1.15 | Spatial Hypertext | 70 |
| 3.1.16 | Open Hypermedia Systems | 71 |
| 3.1.17 | Brief History of the World Wide Web | 72 |
| 3.1.18 | Hyper-G and Hyperwave | 74 |
| 3.1.19 | The XML Family and the Semantic Web | 74 |
| 3.2 | Hypertext Applications | 76 |
| 3.2.1 | Hypertext and Learning | 77 |
| 3.2.2 | Groupware | 80 |
| 3.3 | Hypertext Paradigms | 81 |
| 3.4 | Hypertext Structure | 83 |
| 3.4.1 | Graph Theory | 83 |
| 3.4.2 | Beyond Graph Theory | 89 |
| 3.4.3 | Spatial Hypertext | 90 |
| 3.4.4 | Time-based Hypermedia | 99 |
| 3.4.5 | Personalizable Hypertext and Adaptive Systems | 100 |
| 3.5 | Hypertext Semiotics | 101 |
| 3.6 | The Usability Approach to Hypertext | 112 |
| 3.7 | Navigation in Hypertext Systems | 117 |
| 3.7.1 | The Hypertext Session | 121 |
| 3.7.2 | Bookmarks | 122 |
| 3.7.3 | Guided Tours | 124 |
| 3.7.4 | Maps | 126 |
| 3.7.5 | Landmarks | 127 |
| 3.7.6 | Backtrack Function | 128 |
| 3.7.7 | History lists | 131 |
| 3.7.8 | Agents, Narrative, Personal and Social Navigation | 133 |
| 3.7.9 | Navigating by Query | 134 |
| 3.7.10 | Navigation in non-text hypermedia | 137 |
| 3.7.11 | Semiotic Aspects of Hypertext Navigation | 139 |
| 4. | Reading the Signs of theWorldWide Web | 146 |
| 4.1 | The WWW metaphor | 146 |
| 4.2 | Hypertext functionalities of the WWW | 147 |
| 4.2.1 | Web Design | 148 |
| 4.2.2 | WWW or What’s Wrong with the Web? | 149 |
| 4.2.3 | Web Augmentation | 150 |
| 4.3 | The Internet as a Global Agora | 151 |
| 4.3.1 | The Global Swarm | 152 |
| 4.3.2 | Information Gluttony | 153 |
| 4.4 | Cyberspace | 154 |
| 4.5 | Cybersigns | 155 |
| 4.6 | Iconicity of Graphic Link Markers | 158 |
| 4.7 | The Commercialization of the Internet | 163 |
| 4.7.1 | eCommerce | 164 |
| 4.7.2 | Intellectual Property and Copyright | 165 |
| 4.7.3 | Authenticity of Information | 168 |
| 4.7.4 | Banners | 168 |
| 4.7.5 | Keywords | 169 |
| 4.7.6 | Digression I: The Browser War | 172 |
| 4.7.7 | Digression II: The Toywar | 174 |
| 5. | Summary | 176 |
| A. | Glossary | 182 |
| B. | Bibliography | 202 |
In its most elementary form, the history list consists of the names of visited nodes but its usability for navigation purposes depends on the amount of meta-information about the nodes themselves and attributes of the visit. This meta-information should be available in different views, searchable and sortable, cf. [64]. Bilinski and Bumann have developed a ”HistoryTool” to compensate the weaknesses of standard Web browsers in this concern. The name of this function, from a semiotic viewpoint is a false signifier, because it does not correspond to the requirements of the basic travel metaphor: ”History” carries a strong connotation of universality that counteracts the notion of a personal navigation history.88 The toolbars of hypertext engines and Web browsers (see section 4.6) emphasize this breach with the consistency of the travel/navigation metaphor, by representing the history function with icons such as pyramids (Hyperties) and sundials (Microsoft Internet Explorer). 89 While the pyramids of Egypt and Mexico could still be defended as popular travel destinations, the sundial shows quite clearly the semiotic inadequacy, an unnecessary metaphor mismatch: The /sundial/ refers to another semantic marker of history than the travel metaphor. In other words, the icon designers of Hyperties and the MS Internet Explorer obviously thought of ”history” as the science of past cultures, and tried to represent this concept with pyramids and sundials. An often cited and comparable case of semiotic inadequacy is the eject function on the desktop of the Apple/Macintosh, where ”one can take the icon of a floppy disk and place it in the garbage can! The result is the Eject function, semiotically inadequate, but which, through use, became part of the Macintosh language” [375], see section 3.6 on the semiotic approach to usability. In a media semiotic approach, the history tool can be compared to external memory systems, such as diaries. Diaries differ from history books in their quality of externalizing [...]
a line of words but a multidimensional space in which a variety of writings, none of them original, blend and clash” [38, p. 146]. In conclusion of this section, which forms the core of my prolegomena of a theory of hypertext semiotics, I do not think to have produced a new ”hypertext model”. Yet, I was able to interlace the existing models with the findings of semiotic research, on all levels of the textual, aural, visual, tactile and olfactory channels.59 While this connection between hypermedia and the field of media semiotics is clearly visible in Nöth’s Semiotics of the Media [399], computers play no role whatsoever in Bignell’s Media Semiotics [63] published the same year! The long-term goal of Hypertext Semiotics (as I see it) is to enhance hypermedia as a multi-level semiotic system that incorporates spatio-temporal aspects, the power of the image and ”language as the ultimate upgrade” [98, p. 182]. [...]
In terms of the Dexter Reference Model, the storage layer models the basic node/link network structure that is the essence of hypertext and describes a ”database” that is composed of a hierarchy of data – containing ”components” interconnected by relational ”links”. cf. [209]. The other two layers in the Dexter model are the within-component layer and the run-time layer. The interface between the storage layer, in which the hypertext network is stored, and the within-component layer is called anchoring. It is a mechanism for addressing locations or items within the content of an individual component. Anchoring is a mechanism that provides this functionality while maintaining a separation between the storage and within-component layers. The within-component layer contains the (textual and graphical) content of the hypertext; the run-time layer of the model provides tools for the user to access, view, and manipulate the network structure. The hypertext authors and readers, however, perceive the hypertext structure as blocks of text and the electronic links that join them, cf. [129, p. 3], [37]. While the passage from one node to the other (or, navigation, see section 3.7) is based on the linear selection and combination of elements, hypertext structure itself is seen as modular non-sequential and variable. As the nodes need not have a fixed place in a spatial order to form this network of text (and other hypermedia), hypertext structure is commonly analyzed by means of graph theory. [...]
In den Warenkorb
58,00 €
Link zur Arbeit:
http://www.diplom.de/ean/9783832466879
Arbeit zitieren:
Neumüller, Moritz November 2001: Hypertext semiotics in the commercialized Internet, Hamburg: Diplomica Verlag
Schlagworte:
Semiotik, Zeichentheorie, Navigation, E-Commerce, World Wide Web



